June 23rd, 2016

Moby - Music & Movement

When I listened to the arrangements I thought about God moving over the face of the waters, when the earth was new, before there was land and before anything was alive.  The spirit of God, full of prescience and omniscience, seeing the emptiness and expanse of the new world, aware of all that's there and all that's to follow.  The life that will come, and the death that will end with each life.  The trillions of creatures who will come out of this ocean, all wanting to live as long and as well as possible, each resisting death until the end.  All of the life and death and longing and heartbreak and hope [...] I listened to the music, put my head on the plywood table, and cried' (p.257).

Moby - Porcelain

Moby: Porcelain (Auto Biography) - The Big Time

Moby has hit the big time and seemingly untouched by the degeneration that is happening around him.  He has acquired his 'perfect punk-rock girl' i.e. a vegan-Doc Marten-wearing, mosh-pit surfing, pink-haired supporting, all-round pulchritudinous babe. Which on paper seems the absolute perfect soul mate, but in reality, is not hot on laughs or shared anecdotes (or, it seems even conversation). When a reclusive nerd meets someone who speaks even less and is more curt than he is, things become a bit of a problem. Abrupt to the point of being rude, she seemingly doesn't want to even hold his hand, though quickie airplane sex seems to be on the cards.

Poor Moby, invested much too much in this relationship and the writing is pretty much on the wall; 'I was starting all our conversations with the word "so" again: "So... how was work?" "So...do you want to have spaghetti tonight?" "So... would you do me a favour and kill me in my sleep so I can be spared the pain of waking up in this terrible relationship?"'

Moby - I feel your pain.
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To give Moby his due, he does have a knack with words and has a deadpan delivery that has made me laugh out loud several times.  For instance the conversation with his dog Walnut, enticing it to play with a fellow pit bull; 'Walnut stared up at me, as if to say, "Really? Do I want to play with the giant psychopathic pit bull that eats glass for breakfast?  Best-case scenario, I get cold and muddy and the pit bull ignores me.  Worst-case scenario, I get slowly eaten by that monster' (p.236).  Love it - a very human-canine interaction here, more warmth with the dog than with the monosyllabic snotty Sarah.

I think he is at his most eloquent, whilst composing a track.  Conflicted about Sarah, he describes his musical arrangement and the prose just falls out of him.  This gives me more hope for the rest of the biography and I do take yesterday's critique back a bit.

Quote of the Day
He begins drinking after eight years of sobriety; 'We were in a windowless dive bar [...] with thick cigarette smoke in the air and an alphabet of hepatitis in the toilets' (p.259).

Approaching the last quarter of the book - now on page 300.